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CURRENT PROJECTS
BAMAKO SYMPOSIUM ON THE ARTS:
TAPPING LOCAL RESOURCES FOR SUSTAINABLE DEVELOPMENT IN THE 21ST CENTURY
(2nd Bamako Summer School)
Venue: L'Université de Bamako/ University of Mali, Bamako, Mali
Date: 22 -30 July, 2010
A call is made to arts professionals, researchers and interested others for contributions addressing one or more of the
symposium strands: Arts Education Practice, Studio Practice, Curatorial/Museum/Community Arts Practice, Arts History/Criticism,
Arts Administration/Management/Marketing Practice, and Open Session. The symposium entails paper presentations and practical
activities such as workshops sessions, mini-projects, and artistic interventions that would result to an exhibition or public
performance. With the practical acts and theoretical presentations we aim to promote critical dialogues on the best practices
around the world on how the arts as resource feed civilizations in hope that we will generate new initiatives to boost human
capital development in Mali in the 21st century. Interestingly, the symposium coincides with the celebration of the fifty
year of independence of Mali.
We define the arts broadly to include visual arts, literary arts, performing arts, design, new media/film production,
arts history, arts criticism, arts education, arts administration and curatorship, and emerging others. We expect about 200
participants from around the world. The working language of the conference will be French and English. Applications for individual
and team presentations will be reviewed until the space is filled. For paper presentation, all abstracts and short biographies
(ca 100-150 words) should be submitted electronically to africoae@gmail.com; deadline for full paper (c. 3000 words) submission:
30th June 2010. For workshops and artistic interventions (visual arts, music and theatre) the proposals should be submitted
to the Balani's Association at Bamako: balanise@yahoo.fr.
The symposium is organized as collaboration between African Community of Arts Educators (AfriCOAE) and Balani's Association
in conjunction with L'Université de Bamako, Ministry of Culture Mali and the Conservatory of Arts and Craft. Additional information
such as the symposium programme, Bamako hotels and others related to the symposium will be sent to all registered participants
well in advance of the conference.
THE ABETENIM PROJECT:
A DESIGN-AND-BUILD EARTH ARchiTecture (art+architecture) PROJECT
For information on The Abetenim Project, see "2010 Project" section on this web site. Collectively, our projects
are now registered as an NGO in Ghana in collaboration with www.nkafoundation.org to sustain our efforts of building bridges
between Africa and the rest of the world for individual and community development through a focus on the arts. Images from
our 2009 Kumasi Symposium are on www.artinprocess.com/KUMASI, www.odcap.com and www.wandsbektransformance.de/news.html for
the artists' Catalogue. The 2nd Kumasi Biennial Symposium will be in 2011.
VOLUNTEER OPPORTUNITY
Thus, we are looking for enthusiastic volunteers to come and coordinate some DESIGN-AND-BUILD Earth ARchiTecture unit of our
project for an international arts village in a traditional area 15 minutes from Kumasi in the Ashanti Region of Ghana. Fundraising/
construction experience will be useful but not required. You may start with a study of the traditional architecture of the
region. Our hope is that you will gain valuable international experience to aid in your future projects. Until the houses
are up, we offer free accommodation in nearby township of Juaben ... short stays also welcome.
In general, the art+architecture project seeks (1) Site Development Manager who knows about fundraising or building, at
this time would be as volunteer; (2) Project participants in the arts, architecture and engineering; and (3) International
Development Partners (IDP) that include schools, agencies, NGOs, and philanthropists from all nations.
Individuals or teams interested and able to come please e-mail us: nkaprojects @ gmail.com or visit the web site: www.nkafoundation.org
THE KUMASI SYMPOSIUM:
TAPPING LOCAL RESOURCES FOR SUSTAINABLE EDUCATION THROUGH ART
Department of General Arts & Art Education, College of Arts and Social Sciences
Kwame Nkrumah University of Science and Technology (KNUST), Kumasi, Ghana
July 31-August 14, 2009
A call is made for contributions addressing one or more of the symposium strands and topics: Art Education Practice, Studio
Practice, Curatorial/Museum/Community Arts Practice, Art History/Criticism, Arts Administration/Management/Marketing Practice,
and Open Session. The symposium entails plenary sessions and support activities such as demonstrations/workshops, exhibitions,
and site-specific tours of local national resources. Expression of interest and proposals for Plenary Sessions and Exhibitions/Practical
Workshops will be reviews until January 17, 2009. We expect about 200 participants from around the world. The working language
of the conference will be English. Applications for individual paper presentation and participation will be reviewed until
the space is filled. All abstracts and brief biographies should be submitted electronically to africoae@gmail.com
The symposium is organized as collaboration between African Community of Arts Educators (AfriCOAE) and KNUST's Department
of General Arts & Art Education. As a follow-up to AfriCOAE's Project Earth to Art: Tapping Local Natural Resources for
Sustainable Art Education Development at Accra. The two-week symposium (July 31-August 14, 2009) will deal with the issue
of sustainability in the 21st century to enable visual arts education developments in Ghana and perhaps similar settings.
Owing to the challenges of transition from the postcolonial stance and to many others, best practices and resourceful programs
often fail to roll out nationwide and to be sustained. The following questions will therefore guide the dialogues: Is sustainability
of art teaching and learning developments in the postcolonial African environment possible? Can the postcolonial Ghanaian
environment and non-Western others today provide adapt resources for sustainable artistic practice? If so, how can the resources
best be tapped for education through art in Anglophone Ghana and other Modernist African settings?
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